IKMMA 2007
When the idea of making international marimba master-classes
crossed Katarzyna Mycka’s mind, no one could predict what will
be the future of this venture. Project was named The International
Katarzyna Mycka Marimba Academy and took its place for the first
time in the year 2003 in the Polish city of Wroclaw where it also
lasted for the next two editions in 2005 and 2007. Already during
the first edition it became certain that IKMMA is successful event,
and there were no doubts about its future anymore.
Third edition, the IKMMA 2007, which just came to an end on
the 23rd of September, was slightly different form the past two
editions. This year, instead of Momoko Kamiya (Japan) and Bodgan
Bacanu (Austria), Katarzyna Mycka decided to invite and collaborate
with Eric Sammut (France) and Robert van Sice (USA). Both gentlemen
are marimba experts and virtuosos so their classrooms were always
full with participants observing individual lessons. What remained
unchanged was presence of Prof. Jacek Wota and his help with
all the preparations at The Karol Lipinski University of Music
in Wroclaw where he is professor for percussion and where IKMMA
was held with its daily lessons, rehearsals and concerts (excluding
concert in Oratorium Marianum and Wroclaw’s Philharmonic
Hall all the concerts were played at the University of Music).
This year, same as 2005, brought some guest appearances. In
2005, IKMMA was visited by Eckhard Kopetzki and John Thrower.
IKMMA 2007 aimed for David Friedman and his music. Unfortunately
Mr. Friedman got sick really bad just before inauguration day
and the last minute call went to Taiko Saito who agreed to take
over lessons about Friedman’s music and jazz music in general.
She stayed with IKMMA’s students a couple of days giving
mini-recital during evening concert of September 16th. Taiko
Saito played music of her own (Landscape IV, A sa suzumi for
6 mallets), as well as music of David Friedman (Izgalom, Between
Dusk and Dawn). For the concert ending piece she was joined by
Eric Sammut and as a duo they improvised on marimba (E. Sammut)
and vibraphone (T. Saito).
Mentioned already Eric Sammut had his special on the evening
of the 18th of September when concert was fully dedicated to
his works and arrangements. Concert named as Composer’s
Portrait was divided into two parts. In the first part there
were students playing Eric Sammut’s pieces (Stroboscope,
Rotations 1, 3, 4, Spiral 1 and amazing arrangement of Gerswhin’s
Porgy and Bess). Second part was mini-recital performed by Eric
Sammut himself (among other pieces audience could listen to Sergey
Prokofiev’s Romeo and Juliet excerpts arranged for marimba
solo by E. Sammut)
Just in the middle of master-classes very busy Robert van Sice
had to leave Wroclaw. Fortunately such a caring professor, as
he is for his students, took necessary preparations to provide
IKMMA with new professor substituting him. That is how the young
and talented marimbist – Ji Hye Jung (Korea) – came
to Wroclaw and taught Marimba Academy participants for two days.
She also performed as a final act of the evening concert on September
20th playing Eric Ewazen’s Northern Lights.
It also has to be mentioned that IKMMA had a special guest,
Kim Mi Youne (Korea), 1st Prize winner of the Universal Marimba
Competition 2007 in Belgium. On the 21st of September, at evening
concert she performed already mentioned excerpts from Prokofiev’s
Romeo and Juliet, as also Eric Sammut’s Rotation 4, and
Marimba d’Amore by Keiko Abe. |
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What would be the point of organizing event like
this if it isn’t truly about students who came to Wroclaw
from all over the world? In 2003 and 2005 IKMMA gathered people
from 17 different countries including Mexico, Australia, Korea,
Japan, Germany, Croatia, Slovenia Bulgaria and many others. Third
edition brought together some of old friends from past years as
well as introduced for the first time musicians form Hong Kong,
Sweden, Latvia, Colombia, Russia, Portugal and France. In total
number of 31 participants, 22 came to IKMMA for the first time.
It is very important for Katarzyna Mycka to let new people join
IKMMA society, so they can meet in ensembles which beside individual
classes are fundamental idea of the IKMMA.
Ensembles mentioned above are very special and reason is simple:
participants coming from more or less distant lands meet in ensembles
rehearsal rooms and start making music together. Difference of
language, culture, performing style and even practicing method
is to be overcome by mutual effort and will to create professional
music group in short period of time. Already mentioned daily
concerts and both, welcome and farewell dinners, had their influence
by helping the group to unite and to get to know each other way
better not only as a musicians but also as a human beings (as
it often happens also this time food has done its integrating
job). This year IKMMA had special person to provide guidance
and help for new born ensembles. It was Shoko Sakai (Japan),
IKMMA 2003 and 2005 participant who in 2007 became IKMMA trusted
assistant. She acted not only as ensembles coordinator but also
as individual teacher when temporary substitution was needed.
Wide range of repertoire dedicated (written originally or arranged)
to mallet ensembles was really impressive this year. To begin
with Johann Sebastian Bach Air from Goldberg Variations arranged
for marimba duo and performed at the Oratorium Marianum on 19th
of September, to end with contemporary pieces like Gary Wain’s
Seven Steps or Chain written by one of the IKMMA students – Arkadiusz
Katny – performed by Katarzyna Mycka and Shoko Sakai at
the Wroclaw’s Philharmonic Hall on 22nd of September. Moreover
pieces of Keiko Abe (Memories of the Seashore), David Friedman
(Hand Dance), Astor Piazzolla (super-popular Tangos #1 and #3),
Emmanuel Sejourne (Departures), Bela Bartok (Allegro barbaro),
Christopher Deane (Vespertime Formations), Lucas Gonseth (Marie),
Daniel Levitan (Marimba Quartet) and a lot more were performed
during IKMMA 2007 on various concerts inside and outside of the
Wroclaw’s University of Music.
Here with special thanks to Norsk Musikforlag Oslo and Herbert
Brandt Percussion who, beside audio CDs and mallets, supplied
IKMMA with huge amount of sheet music which could be performed
on instruments provided by Marimba One, Pustjens Percussion Products,
Adams and Yamaha. Without this help organizing master-classes
on such a high level wouldn’t be possible. Thank You!
Help of companies is very important part of IKMMA but still
it can’t be forgotten how an event like this is created
and by whom. IKMMA as actual master-classes lasts 10 days. IKMMA
as an idea is nothing but constant work of project’s brain
and decider, Katarzyna Mycka, who searches for the new musical
material for solo players and ensembles as well as interesting
artists to become one of IKMMA’s performing guests or professors.
This year Katarzyna Mycka was supported by the group of people
(who were, with great pleasure, leaded by author of this text
(Przemyslaw Loho) responsible for keeping an eye on smooth course
and perfect organization of the master-classes, from the beginning
to the last day.
Time will show what is going to happen next. IKMMA is already
an event where during three editions over 100 people – musicians
and composers – were given an opportunity to play music
together and to make new friendships. And just for that, there
is still the reason and point to continue International Katarzyna
Mycka Marimba Academy project in coming years. |
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